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Why does everybody love Transmetropolitan so much? Someone recommended it to me, and I found it so cruel, hateful and offensive for no reason, I couldn't even finish the first trade :( And seeing all the universal praise, I feel like there's something wrong with me, as it is probably the worst comic book I've ever read.
Transmet rages against things, and does it in an outrageous mode that is clearly beyond politeness, but there are things so vile in the world that politeness would be more obscene than anything Spider ejaculates into the void. It’s cruel, hateful and offensive for very moral reasons.
(It’s the error of politeness which trips up a lot of people with Ennis as well. Ennis is one of the writers in the medium most interested in genuine questions of morality and right, of common and basic decency. The style is so vivid that some people only see that, and can’t get to the substance.)
People also find it funny. You may not find hyperbolic responses to everyday frustrations funny.
Do try ANOTHER COLD MORNING though. It’s very quiet, very angry. If Transmet’s general mode doesn’t appeal, it’s one that you can at least go “Oh, right, I get that this stuff is why people like it” and move on.
Transmet is one of my favorites, and this kinda sums up why. Angry and in your face, yes, but for good reason.
It’s also now a bit of artifact from another time, just as Watchmen is. It’s just that, culturally, the late 90s and early 00s aren’t as inscribed in our memories as Watchmen’s 1985. Since that time, we’ve sort of forgotten, as a culture, what it was like to be angry at the rising success of surveillance and the failure of the press to keep us informed in any meaningful way. For the first time, that balance had flipped and it was more likely that you were being watched than watching.
Do you realize how ridiculous you sound talking about stories that your writers want to tell? You act as if anyone considers these stories at a higher level than fan fiction. Nobody at Marvel is creating classic stories for the ages, so stop thumping your chest as if that's what you've got going on at Marvel.
Sorry, but you don’t really get to decide that. Time does.
I’m writing a Master’s thesis about Gillen’s run on Journey Into Mystery, and I’m certainly not the only academic taking these stories about as seriously as is possible.
So not only is this Anonymous wrong, they are provably so.
Christopher unpacks “political correctness,” discusses the honesty of language, and issues a call for inclusivity. Also—jump cuts!
My friends Kurt and Davis and I are doing a video series three days a week. Two and a Half Beards features two and a half beards, with Kurt providing the half beard, though in my opinion the count is more like four beards because a ginger beard is worth at least two and a half on its own.
I moved from Spokane, WA, to Columbia, SC, and we decided this was a good way to be able to still see each other with 2700 miles between us. What do we talk about? Mostly the things we would have talked about anyway: Life, language, music, philosophy, soccer/football, and random other things.
We have a 5 minute limit, so it won’t rob you of too much of your day. Check it out if you’re so inclined.
You guys are halfway done, but I’m just gettin’ started! I present to you the Mint Metal Muscle of my team, The Defend-O-Matic 2000! Defend-O for short.
Christopher Stuck began writing as a child due to an overactive imagination and an innate love of the English language. It all began in the early 1990’s with an old dedicated word processor for which Christopher was given a 3.5″ floppy disk. The disk was a magical thing, full of blank space to fill with not-so-magical words. When his tale of a cave that allowed children to not only travel through time but also to watch evolution in action was ruined by being left in a pants pocket and sent through the wash, Christopher turned to scripting and drawing sub-par comics.
Now Christopher is an adult, in age if not maturity, with an overactive imagination and an innate love of the English language. He writes things he would like to read, currently working on a modern fantasy aimed at Young Adults. This novel would be filed under “urban fantasy,” if not for the fact that it is set in Kansas, where the only “urban” is Keith.
Christopher is a graduate student of English literature in South Carolina.
He has an understanding wife, a not-so-understanding cat, and a tattoo of He-Man’s Battle Cat on his left shoulder.